吴 雨豪
YUHAO WU
Music for Film and TV
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Concert Music
Cold Moonlight (2022)
for viola, ca. 5’
Torn (2022)
for string orchestra, ca. 11’40”
Jüe Jü (2021)
for harmonica and piano, ca. 6’
Haze (2021)
for organ, ca. 5’
Plateau (2019 - 2020)
for solo tenor, choir, instrumental ensemble of eight players, ca. 25’
Ocean (2019)
for symphony orchestra, ca. 15’
Eclipse (2019)
for wind band, ca. 12’
Desert (2019)
for piano, ca. 15’
Kashgar (2018 - 2019)
for brass band, ca. 11’
Mirages (2018)
for string orchestra and piano, ca. 11’
Mountains (2018)
for organ, ca. 15’
I Thought An Old Friend Was Coming (2017)
for ensemble of six players, ca. 9’
Song of Xi Liang (2017)
for mezzo-soprano, bass flute, violoncello, ca. 15’
Opium (2016)
for alto flute, contrabass, vibraphone, piano, ca 10’
Love Song (2016)
for string quartet, ca. 2’
Étude (2016)
for flute, ca. 2’
Shan (2016)
for chamber orchestra, ca. 8’
Ache (2015)
for ensemble of five players, ca. 5’
Sonata (2015)
for violin, violoncello, piano, ca. 14’
Her Lovesickness (2015)
for violin, piano, ca. 8’
Other Works
Unity (physical theatre, 2018)
for violin, trumpet, actors, ca. 9’
Premiere on February 8, 2018 at the Whitworth Art Gallery in Manchester
Performed by Vonnegut Collective, Animikii Theatre
We are in the Information Age, and the internet can efficiently help us access information almost anytime, anywhere. Although it seems that we view things more clearly and transparently than in the past, we are also faced with more choices. The various, complex, and diverse voices can be confusing, making it hard to see things from a comprehensive perspective and even undermining our trust in what we see and hear. An abundance of information does not lead to clearer perception; instead, it creates an endless, bewildering fog.
I perceive pessimism and a sense of insecurity in his eyes in these works. These emotions do not appear to relate to the successful Andy Warhol. Under a heavily made-up disguise, the name "Andy Warhol" was only the protective appearance of a suffering boy from Pittsburgh; perhaps the continuing pursuit of fame and wealth was his comfort to support his worldly existence, in contrast to the imperfect and unfortunate existence of his real life. "Andy Warhol" certainly remains a positive force in society, but Andrew had to face his fate; time is there, indifferently, watching the whole.
The World Feels Dusty (Art Exhibition Music, 2017)
for euphonium, tuba, clock, in accompany with Andy Warhol’s work, 5’
Premiere on 30 March 2017 at Whitworth Art Gallery, Manchester,
"Death, politics and selfies explored in ARTIST ROOMS: Andy Warhol"
Performed by Adam Collins, Marija Anna Novicane